Wed. Jul 23rd, 2025

Safe Spaces for Making Communities


group of people posing wearing bright colouful garments

ā€˜Decolonising Fashion and Textiles’ project participants wearing their creations. Photo by JC Candanedo.

Over the course of the Decolonising Fashion and Textiles project (DFT), weĀ became acutely aware of the shortage of not only safe spaces for refugeesĀ and asylum seekersĀ but also of spaces of belonging and interaction with others whom they might never come into direct contactĀ with. We reflected on the parallel lives that diverse communities in the UK live alongside one another, where some interactions that could shift perspectives and create changes in perceptionĀ never happen. Through our intensive workshop programmeĀ and a student project brief we facilitatedĀ at LCF,Ā we learnt that participants as well as members of the public have fewĀ opportunitiesĀ to interact with one another.Ā 

ā€œInteraction and experience with ā€˜others’ areĀ the foremost precursorsĀ of change,Ā creating shifts in perception.ā€

Back inĀ the Summer of 2023, we facilitatedĀ external activities for project participants with refugee and asylum-seekingĀ backgrounds – to broaden networks and capacities andĀ build further connections. This started with a public action we delivered in Parliament Square in London in partnership with Citizens UK and Together with Refugees, advocating for theĀ protection ofĀ children’s ā€˜Freedom to Play’.Ā At this event, our projectĀ participants showed and held up the banners they had created in the workshops collectively. Three participants spoke publicly – sharing their collective manifestosĀ for a compassionate future, while demonstratingĀ their self-confidence, sense of agency and hope.

group of school children and refugee parfticipants holding signs outside parliment

Public action ā€˜Freedom to Play’ in Parliament Square. Photo by Michela Ajani.

Next was a private guided tour of the Fashion Collection at the V&A with curator Jessica Harpley, who inspired the project participants with the vast collection of historical garments, jewellery, and accessories from all over the world. The tour also provoked interesting debatesĀ around decolonising fashion and cultural sustainability. Some participants shared with usĀ that they were not aware that the V&A orĀ other London museums and large galleries were open to the public and had free entry.Ā They have now discovered new cultural organisations they can start to connectĀ withĀ as they rebuild their lives in London.Ā Ā 

A day-long workshopĀ of design and making was organised with the Art Workers Guild (AWG) through the guild’s outreach committee. The AWG is a charitable organisation that comprisesĀ of over 400 designers, makers, artists,Ā and architects who excel in their fields. This workshop providedĀ an opportunity to have diverse conversations and mutual learning in spaces which would not normally be accessible to participants. It included craft demonstrations by guild members and a chance to try aĀ craft for the rest of the day. The success of this can be underlined by how engaged the participants became, asking for more similar interactions.Ā It also changed perspectives of the demonstrators who might have had preconceived ideas of participants whoĀ are labelled ā€˜refugees’,Ā instead finding them so ā€˜engaged,Ā enthusiastic and eagerĀ to learn’.Ā Ā 

people working with jewellery design at a crafts table

Participants working on wax modelling for jewellery design with an AWG member. Photo by Dr Francesco Mazzarella.

In Autumn 2023 we started to deliverĀ a series of sevenĀ weekly workshops, where 22 participants were encouraged to draw fromĀ their cultural heritage, personal identity, and future vision toĀ design and make a bespoke fashion item. The products created by the project participants (e.g.Ā dresses, t-shirts, trousers, skirts, vests, coats, bags, shoes, jewellery) manifest life journeys flowing in threads exchanged, calling for social justice. They evoke feelings of loneliness, uncertainty,Ā and hope, and express the shifting identities of refugees while rebuilding their lives in a new place.Ā 

ā€œFashion in this project is about finding yourself, learning new skills, bringing together people from different culturesā€.

– Dr Francesco Mazzarella

close up of a person working with fabric

Project participant at a making workshop at the FELDY Centre. Photo by JC Candanedo.

To culminate the workshop series, we hosted a celebratory event atĀ the new LCF campus in East Bank as part of the cultural programme of theĀ Designed for Life exhibition. The event was an opportunity to celebrate the sense of community, creativity and pride of the amazing peopleĀ collaborating in the project. We also deliveredĀ a fashion show with the project participants wearing their creations and walking down the stunning staircase at LCF. What we can loosely define as a ā€˜fashion collection’ created through ourĀ workshop series is a statement of resilience and empowerment, a quest for democracy, a manifestation of a vision for a freer and fairer society – where peopleĀ can express themselves without fear or judgment, andĀ reclaim their agency and identity through fashion.

person standing on a staircase, showcasing an embroidered jacket

Project participant wearing his jacket ā€˜Emerging Identities’ at LCF. Photo by Mehrdad Pakniyat.

ā€œIn this project, I customisedĀ my own jacket, which I have been holding for a long time.Ā When I arrived in the UK, it was Autumn, the trees started to take off their leaves. I used the sycamore leaf as a symbolic start of my asylum claim journey. I representedĀ two faces evoking feelings of uncertainty and loneliness. I drew the prophet Mohamed’s Mosque which represents my identity as a Muslim. Besides this, I drew European houses. The green plants are rooted in both buildings; they show that a new chapter has been opened in my lifeā€.Ā 

– Project ParticipantĀ 

Such activism interventions, dialogues around cultural sustainability, cross-cultural exchange and craft skills building, as well as access to safe spaces where participants might find a sense of belonging and develop creative ideas,Ā are exactly the kind of things that the Decolonising Fashion and Textiles project hopes to accomplish.

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